I’ve taken my family to the Cirque du Soleil live on three different occasions and we’ve seen every DVD available. The first time I saw a live Cirque du Soleil was on my honeymoon in 1999.Since then, Cirque du Soleil has held a special place in my heart and in our family so when I heard Cirque du Soleil Kurios was touring in Boston at the same time we would be there, I knew we had to see the show.
You can either get your tickets online or you can stop by South Market and pick up your tickets while spending the day at Faneuil Hall. Whatever you do, you don’t want to miss this show.
Cirque du Soleil “Kurios: Cabinet of Curiosities” is about as close to a transporter device as you can get. Step into the Grand Chapiteau and you immediately enter a magical world. There are 426 props in the show, the most of any production in Cirque du Soleil’s history. Some 65 trucks transport close to 2,000 tons of equipment for KURIOS™ – Cabinet of Curiosities.
This world is simultaneously a retro and futuristic version of a mad scientist’s lab all at once. It’s a mechanized world of the future with people of the 1920’s, at once wondrous and nostalgic. The steampunk ambiance only serves to make this Cirque du Soleil even more astonishing.
From the moment we pulled back the tent flaps, we were transported to another dimension. The energy at a Cirque du Soleil show is palpable. I’ve had the luxury of going behind the scenes on occasion and I am even more mystified of the magic that happens on stage after knowing all the hard work and determination that goes into a show. The 116 tour members come from 22 different countries. Some have been touring with Cirque du Soleil for more than 20 years. All performers are responsible for applying their own make-up every show, which can take them between 40 minutes to two hours. These performers make the near impossible and gravity defying look easy.
When you walk in, the dull gleam of metal is everywhere, from the portal through which the performers materialize to the masses of industrial-duty gears ready to clank into motion in every direction. Towering automated music-making machines cobbled together from giant glass globes, metal bracing and junkyard’s worth of unusual finds adorn the stage defying reason and logic.
Anyone who has seen more than one Cirque du Soleil knows that there are certain expectations that will always be met. For example, there will always be a clown who makes you simultaneously think and belly laugh on their witty commentary of society. There will always be amazing aerial ballet (one of my favorite acts) and there will always be incredible acrobats and a trapeze or trampoline act that will blow your freaking mind. This time, even the most familiar acts (13 in total) had new twists and left me gasping and clapping so hard in my seat that by the end of the show, my voice was gone from woo-hooing and my hands were exhausted and sore from extreme clapping. (It’s a thing, look it up.)
The show starts with the band parading through the audience. My daughters are obsessed with the live music (both being violinists) and fell fast and hard for the singer, Eirini Tornesaki. I know because I had the privilege of listening to the soundtrack for Kurios for our 15-hour drive home from Boston.
A solo trapeze act is performed not from a bar but from a suspended bicycle (Anne Weissbecker).
Meanwhile, the Russian cradle duo perform 13 feet above the ground as the strongman turns into a human trapeze.
The rola bola, balancing atop stacked cylinders, is taken aloft on a levitating platform (James Eulises Gonzalez Correa).
The aerial straps are commanded by muscular Siamese twins who magically detach when airborne yet perform in perfect tandem while synchronized with perfect timing (Roman and Vitali Tomanov). Every act more exciting than the last.
One of my husband’s favorite acts was the clown (Facundo Gimenez.) He is a miracle of transformation as he changes from a Lothario trying to seduce an audience member to a parrot, a Tyrannosaurus Rex ( our favorite) and ultimately into a feline which is given to hairball hacks and cat-box indiscretions.
“Kurios,” like all Cirque du Soleil shows, inspires wonder, awe, excitement and suspense and will leave you feeling like the impossible is possible. My daughters have both decided that they want to run away with the circus…well, the Cirque du Soleil, anyways. I can’t blame them; I want to too. We are completely enamored with all things Kurios. I’m using it as an excuse to encourage them to practice their violin, ballet and gymnastics more.
“Kurios,” times vary, but generally 8 p.m. Tuesdays-Fridays, 4:30 and 8 p.m. Saturdays, 1:30 and 5:00 p.m. Sundays. Ends July 10. Prices vary but currently are about $40-$165, not including VIP packages. (877) 924-7783 or www.cirquedusoleil.com/kurios. Running time: 2 hours, 20 minutes with a brief intermission between halves.
If you can’t catch this amazing show in Boston, fret not. Kurios is touring and I’m sure it will coming to a city near you soon. Next up, Washington D.C. opening July 21, New York City opening September 29 and then on to Miami!
Disclosure: I was provided media passes to see Kurios – Cabinet of Curiosities but all opinions and love for all things Cirque du Soleil are my own.